Japan’s album industry has long been dominated by the industry’s biggest brands, but there are growing pains that could threaten the industry as the Japanese economy falters and the economy shrinks.

Photo albums are Japan’s third-largest export after automobiles and textiles.

They account for around 40% of all goods exported to the country.

They are a staple of everyday life in Japan, and they are often found on coffee tables, desktops, and laptops.

Photo sales account for almost 60% of Japan’s economy.

In the past two years, Japan’s gross domestic product has fallen to its lowest point in decades, as exports from the album industry have contracted.

Many album companies have recently seen their profits plunge as well, leaving them scrambling to shore up the industry.

Japan’s biggest albums, including Nippon Ichi, KODO, and Sengoku, account for nearly 70% of sales.

According to data from the Japan Media Research Association, sales of albums have fallen by a total of 19% in the past three years, and sales are forecast to fall even further by the end of this year.

The album industry in Japan has faced many challenges over the past decade, with companies like Nippo and KODA, as well as more established labels like the Sengokuden label, having struggled financially.

Nippōdō, the Senguen label that represents Nippons most famous albums, saw its sales drop by more than 50% between 2012 and 2015, while the KODB label lost over 60% in that time.

According, Kodoban reported that it has been working on an album with KODOA, but that the company has lost more than 1 billion yen ($17.4 million) due to a slump in the album market.

Nokodobashi, the largest Japanese album label, reported a loss of $17.3 million in the same period.

The situation has worsened in the last two years.

In 2017, Koda, the label for Nippone and Koto, said it was in the midst of restructuring its business, and had to lay off hundreds of employees due to the industrywide downturn.

Many of the former Nippones biggest brands are also struggling to make a profit in the digital market.

Last year, Nippôdô lost its leading position in digital sales with a loss for the year of about 15 million yen ($130,000).

In 2018, Nokôdō recorded a loss that surpassed $1.2 billion, and was forced to layoff a total 25,000 employees.

In 2019, Nodô said it would layoff another 2,000 staff.

These closures have left some Japanese music industry companies struggling to survive, as their albums continue to lose money.

While the music industry may have been struggling in the wake of the crisis, it’s still a major part of Japan.

There are a handful of large labels that still manage to operate in the music market, such as Nippos largest label, Noh, and the Koda label, which represents KODOs biggest label, KADOKO.

However, the number of albums that have been sold in Japan is still very small, and it is unlikely that any major Japanese album company will ever be able to turn the tide.

The biggest issue for the industry is that Japan has seen a lot of decline in the recent past.

The country’s economy has been in recession since 2009, and many of the country’s largest and most famous labels have been laying off staff.

According the National Bureau of Statistics, the total employment of Japanese music professionals has fallen by over 15 million since 2014.

And while the economy has improved significantly in recent years, the album music market is still a very small part of the overall economy.

A study published by the Korea Institute of Public Affairs showed that just over 10% of the world’s music industry employs people in the entire world.

Many music industry employees rely on government subsidies, and these subsidies only make up a small part in the overall costs of music production.

Even the big label labels have struggled to make ends meet in recent months.

In January, the Nippona label was forced into bankruptcy, after nearly $2 billion of its earnings were lost due to cuts in production costs.

In 2018 and 2019, the Kodo label had a massive debt and financial collapse.

As a result, it laid off a total 45,000 people in 2018 and nearly a quarter in 2019.

Noh lost over 10 million in total revenue in 2018.

In a bid to stem the downturn, the Japan Music Promotion Agency (JMPA) in 2018 raised the minimum wage from 3,500 yen ($25) to 6,000 yen ($36).

But the industry still has no plan for its future, as there are no plans for a massive new album or a major reformation of the